#LIVE SOUND REFERENCE AUDIO MP3 HOW TO#
#LIVE SOUND REFERENCE AUDIO MP3 PRO#
#LIVE SOUND REFERENCE AUDIO MP3 PC#

The level of the signal remains constant. The second test tone sweep1.mp3 contains a tone that changes linearly in frequency from 10Hz to 150Hz. Start from a low sound level and work up towards higher levels. This signal is particularly useful for testing the output capacity of your system because the signal is not continuous, stressing your audio system similar to actual music and yet the signal is analytical and well defined. The source may be your loudspeakers but also something resonating in your listening room or even the audio equipment feeding the loudspeakers. If you hear any distortion, noises or rattling check your sound system and your room. The tone should be clean and all tones should have the same level. As you play this signal pay attention to the purity of the tone. There is a little space between the tones to enable your audio system to build up its forces. So it helps to know what to look for, or at least to see if the clip matches up to a metronome.First of the test signals boink.mp3 is a collection of tones at individual frequencies. Lastly, if the warp markers for the original clip made wrong guesses, then Live might interpret how it lays the grid out in an unpleasant/inconvenient manner.

If you're just setting down various audio takes and ignoring the grid it isn't absolutely necessary to make Live's grid fit but can still be helpful. If you intend to add midi, drums, loops, it might be easiest to use the slave method.

(Ideally not using one of the Complex warp modes) This will mean that the clip will have warp on, but because of Live's tempo compensating, the clip will play back unwarped. It will take the warping data that is used to predict the tempo of the track, and then make Live's grid and tempo got to that presumed tempo information. And in arrangement view there is a master/slave button in audio clips But also, you probably won't be able to make Live 'for' to the tempo of your clip so easily. If you turn it off, Live will ignore the tempo completely. Live is so smart that when i drag in the audio file, sometime it appears to be mapping the audio clip to whatever the default or current BPM is. Everything is setting up great, no midi latency, audio/mic handling is great – there is only one aspect confusing me. I have owned Live from when I used to do more ambitious beats making and multi-tracking.

#LIVE SOUND REFERENCE AUDIO MP3 PC#

I am moving this process to PC now and, as a Live 9 standard owner, want to do this in Live and not Cubase. It’s important that my time stay locked onto the original, because sometimes i feed these tracks into a karaoke site engine so that they can be locked into the vocal/lyrics sync of the original.

#LIVE SOUND REFERENCE AUDIO MP3 PRO#

I have been using Logic Pro X on Mac to drag in an mp3 of the original or karaoke backing track layer on a midi piano track, acoustic guitar via mic then mute the backing track and export MP3 as an acoustic version. My hobby is to make stripped down, acoustic music tracks for folks to sing over for karaoke performances and the like.

That concludes my question, but some background info below, just in case it is needed/helpful.

But, I need to make sure that the timing and tempo stays locked to the original track. Live is so smart that when i drag in the audio backing track file, it sometimes (not always) appears to be mapping the audio clip to whatever the default or current BPM is.

#LIVE SOUND REFERENCE AUDIO MP3 HOW TO#

My question is about how to avoid any time/BPM alteration in Live on imported audio MP3 of a backing track I am going to use as reference and build upon in Live.

Live sound reference audio mp3